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The Response : ウィキペディア英語版
National War Memorial (Canada)


The National War Memorial (titled ''The Response'') is a tall, granite memorial arch with accreted bronze sculptures in Ottawa, Ontario, Canada, designed by Vernon March and first dedicated by King George VI in 1939. Originally built to commemorate the Canadians who died in the First World War, it was in 1982 rededicated to also include those killed in the Second World War and Korean War and again in 2014 to add the dead from the Second Boer War and War in Afghanistan, as well as all Canadians killed in all conflicts past and future. It now serves as the pre-eminent war memorial〔(【引用サイトリンク】 title=National War Memorial )〕 of 76 cenotaphs in Canada. In 2000, the Tomb of the Unknown Soldier was added in front of the memorial and symbolizes the sacrifices made by all Canadians who have died or may yet die for their country.
==Monument and context==
The National War Memorial is the focal point of Confederation Square in Canada's capital city, Ottawa, Ontario. This locates it between Parliament Hill to the west and the Château Laurier hotel to the east. There are several other commemorative buildings and monuments nearby, including the Peace Tower (and the Memorial Chamber) at the parliament buildings, the National Aboriginal Veterans Monument, the Animals in War Memorial, a Boer War memorial, the Peacekeeping Monument, the Valiants Memorial, and the War of 1812 Monument.
The memorial, from grade to the tip of the surmounting statues' wings, is approximately 21.34 m (70 ft), with the arch itself 3.05 m (10 ft) wide, 2.44 m (8 ft) deep, and 8.03 m (26 ft 4 in) high. The lowest step of the pedestal is 15.9 m (52 ft 2 in) by 8.08 m (26 ft 6 in). 503 tonnes of rose-grey Canadian granite from the Dumas Quarry at Rivière-à-Pierre, Quebec,〔 and 32 tonnes of bronze were used, all of which rests on a block of reinforced concrete based on steel columns set into bedrock.
Two allegories of peace and freedom stand at the apex of the arch, their proximity to each other representing the inseparability of the two concepts, though, the figure bearing a torch alludes in Roman mythology to Demeter and the winged figure with a laurel depicts Nike, the Greek goddesses of agriculture and victory, respectively. Below are the depictions of 22 Canadian servicemen and women from all branches of the forces and other groups engaged in the First World War. At front, to the left, a Lewis gunner, to the right, a kilted infantryman with a Vickers machine gun. Following these are a pilot in full gear and an air mechanic of the Royal Canadian Air Force, as well as a sailor in the Royal Canadian Navy from HMCS ''Stadacona''. Two mounted figures—a member of the Canadian Cavalry Brigade and a dispatch rider—are emerging from the arch, side by side, followed by two infantry riflemen pressing through the arch and behind them are the men and women of the support services, including two nurses from the Militia Army Medical Corps, a stretcher bearer, and one member each of the Royal Canadian Engineers and the Canadian Forestry Corps. Further, there is one member each of the Canadian Army Service Corps, the Canadian Signals Corps, the Corps of Canadian Railway troops, the Royal Regiment of Canadian Artillery, and the Motor Machine Gun Corps. There are three additional infantrymen; all six carry among them respirators other items of the "basic load" carried by every member of the infantry.
The figures are moving towards the call of duty atop a pedestal. To avoid foreshortening from a pedestrian viewpoint, the group of figures is placed at a specific height above street level; each body is approximately high, or one third larger than life size. The postures are animated and strained, not in parade form, and the expressions "convey pride, longing, defiance, a strong sense of purpose, vacancy, camaraderie and perhaps a touch of dejection, but mostly firm resolve."〔 All are in historically correct and distinctly Canadian uniforms, and they were deliberately rendered by the sculpture's artist, Vernon March, so as to not associate any with a particular region of the country nor any ethnicity or language, thus highlighting unity.〔

File:Cenotaph or War Memorial, Elgin Street, Ottawa, Canada.jpg|The Tomb of the Unknown Soldier before the base of the memorial, with sentries
File:Top of National War Memorial.jpg|The surmounting allegorical statues symbolizing Peace and Liberty
File:Canadian National War Memorial, back side.jpg|The rear of the memorial
File:Base of National War Memorial.jpg|The 23 bronze figures, representing the eleven branches of the Canadian forces engaged in the First World War, viewed from the front
File:National War Memorial in Ottawa (1).jpg|The memorial viewed from the west; the figures emerge through the arch from war to peace〔 or in "the Great Response of Canada" to a call to war〔〔(【引用サイトリンク】 title=National War Memorial )
File:National War Memorial 2010.jpg|Detail of the bronze figures at the front of the memorial, viewed from the east

Of the memorial, March wrote "(intend ) to perpetuate in this bronze group the people of Canada who went Overseas to the Great War, and to represent them, as we of today saw them, as a record for future generations..."〔 The allegorical representations of peace and freedom were meant to be seen "alighting on the world with the blessings of Victory, Peace and Liberty in the footsteps of the people's heroism and self-sacrifice who are passing through the archway below." The persons emerging through the arch have also been interpreted as representing Canada's "rite of passage" or "coming of age",〔 its birth as a proper nation during the First World War, reflected in its attainment of a place in the negotiations of the Treaty of Versailles at the conflict's end. Similarly, the figures of Peace and Freedom "speak both to Canada's participation in the struggle to achieve lasting stability and democratic values that resulted in the creation of the League of Nations, and to the hope that in Canada itself peace and freedom may continue to triumph over the forces of instability and the tyrannies of ethnicity."〔 Laura Brandon, Historian, Art & War at the National War Museum in Ottawa, opined that the agricultural connotations of the torch-bearing figure may have been intended by March to relate to the dominance of agriculture in Canada at the time of the monument's design. It may also refer to the line in the war poem ''In Flanders Fields'', penned by John McRae while in the battlefields of the First World War: "The torch; be yours to hold it high/If ye break faith with us who die."〔
On the north and south faces of the statuary base are the dates 1914-1918 (the First World War) above the words ''Service to Canada/Au service du Canada'', which are intended to include all Canadians who served in all armed conflicts, past, present, and future. The dates 1939-1945 (the Second World War) and 1950-1953 (the Korean War) are on the east and west flanks of the base, while the years 1899-1902 (the Second Boer War) and 2001-2014 (the War in Afghanistan) are on the east and west arch pier footings, respectively. The Tomb of the Unknown Soldier rests in the podium surface immediately in front of and on axis with the war memorial.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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